Elements of the PYP Exhibition

This week, my class of fifth and sixth graders began the culmination of their IB Primary Years journey, the Exhibition. A self-directed and collaborative project, it is my favorite part of the year and a deeply enjoyable challenge to facilitate.

Before setting out, I organized a meeting with all Exhibition stakeholders including students, parents, teachers, and administrators. We discussed everyone's ideas, questions, and concerns in order to draft our Essential Agreements.

Components

The Exhibition Guidelines provide clear expectations, which I have synthesized for the students to provide support for their projects. One helpful practice I have chosen is to clarify five required components of the project. Specifically, every student must choose a global issue, deliver a persuasive speech, write an expository essay, create a work of art, and engage in community action. Among our first activities was introducing the organizer below.

In this way, each student has a clear map of expectations, yet is empowered to pursue their project along their own path.

Maker Club year 1

One year ago, I started a Maker Club at my school as part of our after school program. While maker spaces for older learners generally focus on robotics and digital creation, I believe that an elementary maker experience should start from concrete, physical creation. Most of our materials were donated by families, but we also frequently raid the school art supplies.

Based on my participation in the Learning Creative Learning MOOC in 2013, the initial guiding principles for our Maker Club were Independence and Social Creativity.

Independence

It's critical that Maker Club have no assignments. The only requirement is to always be 'making'. Imagining, researching, designing, sharing, and reflecting are all parts of the making process.

A Maker Faire often includes digital production, as well as arts and crafts, engineering and construction, cooking, scientific experiments and demonstrations, and the visual and performing arts. There are no artificial limits.

For the first few meetings, there was a refrain of 'What should I make?', 'What do you want to make?'. This dialog is indicative of empowerment. As young makers realize that they are in control of their learning in their maker space, their creativity is ignited.

In a sense, this is what makes a maker space. Of course, maker tools and materials are important, but most important is fostering an environment in which everyone feels safe to experiment and create.

Every maker must be encouraged to try anything, and indeed, 'makes' that fail are not failures at all. Failures are courageous learning experiences and opportunities to safely practice a growth mindset.

Elementary Digital Music

For the past few weeks, I have enjoyed looking forward to my 'Music with Computers' after-school class on Wednesdays, for 2nd through 6th grade students.

It's a ten week course. During the first five weeks, I introduced various creation tools. The second half is for exploration, experimentation, composition, and creation.

The availability of intuitive, expressive, professional, free sound creation tools is exploding. I've enjoyed exploring to find a few of the best to share with students, as well as a few teachers who happened to be in the media center on Wednesday afternoon, and I would like to share them with you!

Synthesizer

 

SiON SoundObject Quartet

Pottery Field Trip

My class had an outstanding field trip today, in connection with our unit of inquiry into the effects of changes in science and technology. We recently completed a modeled inquiry into 3D printing, introduced in the post, Modeling Inquiry. Having delved into the future of manufacturing, a visit to Uzumako Ceramic Art School was ideal to provide perspective by experiencing one of the world's most ancient crafts, pottery.

Student hands dig into wet, spinning clay

Mapping My Internet

When George Siemens asks, "How do you manage your information?", and Jeff Delp is writing about being "All-In" With Evernote, it's clear that data management is an issue that every digital resident must address to transition from being a passive consumer to an active participant on the Internet.

Their use of graphics reminded me of the Laziness Map flowchart I made for the Making Learning Connected MOOC and shared in the post, Is laziness good for learning?. While that project was somewhat tongue-in-cheek, noticing that I've felt digitally overwhelmed lately led me to create this map of how I generally discover, sort, share, and publish on the web.

(click the image to open the document and follow the hyperlinks)

Independent Inquiry: Origami

A group of students in my class is exploring the Origami Club website to learn to fold new and more complex creations. The site includes hundreds, if not thousands of designs with blueprint and animated instructions.

Connected Learning like this is very inspiring. They are utilizing the Internet to pursue their inquiry, using mathematical vocabulary in authentic contexts, cooperating by taking turns choosing which design to follow, helping each other, and enjoying themselves.

I'm interested to see if any of them take the inquiry further, perhaps by earning a DIY Papercrafter Patch or participating in an online community like The Origami Forum. As their teacher, it's important to make sure that they have access to those opportunities, so I added links to the Independent Inquiry page on our class wiki.

Make/Hack/Play Together 2

When Kevin Hodgson shared his song in the post, Making a Song, for the first 'make' of the Make/Hack/Play Together MOOC, I was immediately impressed by its mournful mood. I thought it would be appropriate for this week's 'digital make' to hack his song by arranging it for string quartet using MuseScore. Here's a link to my work-in-progress, Hacking a Song.

I've only spent a short time on it, but have found some bits I like and some that probably wouldn't make the final cut. Arranging is different that writing a song. It's rather scientific and requires taking into account many variables such as register, the mechanics of the instruments involved, acoustics, etc.

I even started to 'play' at the end, but it's getting late and I can't tell whether those ideas are worth staying up for...

The trickiest part, however, is capturing the mood. Since the mood of Kevin's song is what struck me, I tried to interpret that feeling for a different ensemble. It never works to copy it. It's more like a translation than anything else. The sounds, like words, may have the same meanings, but they don't say the same things.

Anyway, I hope you enjoy reading and listening to my little, albeit, incomplete piece.

Make/Hack/Play Together 1

During the past week, I participated in the Make/Hack/Play Together MOOC. Experience has taught me that every learner builds their understanding themselves, and very often literally. Thinking is not something that occurs 'in our heads'. Thinking is everywhere, visibly and tangibly. This MOOC is a fantastic opportunity to explore Constructionist pedagogy as a learner and teacher.

The first assignment was to build something physical. I didn't manage to find time to build anything myself, but I did with my son. He is two years old, and has had a set of wooden blocks for about a year. When he first started playing with them, they always represented objects. Sometimes they were spoons, sometimes trains, sometimes only he knows what.

In recent weeks, however, he has started building. Noticing his curiosity, I started building alongside him and describing my creative process. He enjoys watching and listening, and gets very excited as my creations grow. That is, before he obliterates them. He is definitely still in the 'destroyer' stage as a maker, but as his hand/eye coordination and fine motor skills improve, I'm sure he will finally start to make his imaginings concrete and visible.

My 'Garage Cathedral' moments before demolition.

No Sleep November

I hereby dub this month "No Sleep November" because there are so many fantastic learning opportunities for teachers and I don't want to miss any.

First, I'm participating in the COETAIL (Certificate of Educational Technology and Information Literacy) program and working toward a Master's Degree. Course 1 was an enjoyable survey and blogscussion of Connectivist Learning Theory and Course 2 promises to address issues related to technology.

Next, the Deeper Learning MOOC preview. This is exactly the kind of exploration I've been looking forward to and will mercifully commence in January. The preview is this week, and will focus on Academic Mindsets.

To further inform and develop my Independent Inquiry project, a philosophy and framework for connecting learning in and out of school, I enrolled in the Make/Hack/Play Together MOOC. I'm planning to participate along with my students, so hopefully a good portion of the assignments will be completed during class time.

Finally, I'm hoping to catch up on everything I missed in the K-12 Online Conference. I made a note of this awesome event months ago and checked in on the last day only to be blown away by all that I had missed! 

Did I mention I'm writing a novel? I've put down about fifty-thousand words, although haven't worked on it for a few months. Thanks to the folks at Educator Innovator for reminding me that November is National Novel Writing Month! How convenient. I don't expect to finish mine this month, but I shouldn't let it slide for too long.

How can I possibly expect to do all of this? It can't be ignored that I have a rambunctious two-year-old son at home and a school-wide musical to organize, rehearse, and produce!

The solution, of course, is to forgo sleep. Rather than burning midnight oil, I'm considering a regimen of coffee-fueled early morning work sessions. Even just five hours per week should be enough to stay on top of these projects and lead to wrapping up 2013 with a thunderous bang.

Here's musical score for 'No Sleep November', my own composition for jazz orchestra, Insomnia.

Back-to-School Marshmallow Spaghetti Tower Challenge!

I was first introduced to this activity during the MIT Media Lab Learning Creative Learning course. There are a few variations, such as limiting the amount of resources or including tape, but for my students' first day of sixth grade, I let chaos reign.

I gave each group a package of dry spaghetti, three small bags of marshmallows, and the simplest rules I could think of:

1 Build the tallest structure you can.

2 You may only use the materials I gave you.

3 We'll measure after 60 minutes.

Five innovations for the first day of school

Although I was at school last week, tomorrow is the first day for students and I'm very excited. I've changed a few of my approaches to teaching and can't to get started. I think other teachers may be interested, so I'll outline a few of this year's innovations:

1 Organizing resources with Evernote. As I've been reporting in my 'Inquiry with Evernote' posts at Inquire Within, I have a few hundred photos, articles, videos, websites, etc tagged according to theme, concepts, and disciplines. The result is a cache of resources that can be called upon in various ways and is meant to provide provocation and support for inquiry-based learning and teaching.

2 Using the class blog as a learning hub. This year, our blog will be central to learning, connecting, and collaborating. With that in mind, I've already prepared posts in draft form ready to be published when the time comes. For example, in our first unit, we'll view two videos and read a magazine article. We'll discuss them in class, but respond on the class blog. I've embedded the videos and link to the article in posts so that they can be reviewed before students respond by writing comments.

We'll be inviting other classes inquiring into similar themes or topics to respond, as well, by searching their blogs for related posts on which to comment and using twitter to raise awareness.

I want workbenches in my classroom.

Make Cycle 5 (reflection)

The first assignment I remember from my 'teacher training' was to make a map of my ideal elementary classroom. It was based on what I called 'zones'. There was a quiet reading zone equipped with beanbags, a gallery zone with easels dedicated to exhibiting artwork, and a vegetable garden under the windows. My proudest feature, however, was the workbenches. When I presented my map to the class, I spoke about how it was fine for students to have desks, but I wanted another area without chairs, just large, tall tables around which they could collaborate and build.

I wanted workbenches.

I had a few years experience teaching musical keyboard classes. I had wild ideas of 'open school' and giant learning spaces in which the boundaries between teacher and student, classroom and community, were smeared beyond recognition.

All I knew was that children learn best when they are self-directed and encouraged to collaborate.

Is laziness good for learning?

Make Cycle 3 Reflection (Map)

Witnessing the creativity and originality of the maps my peers in the Making Learning Connected MOOC had submitted, I was overwhelmed by my own laziness. I didn't feel like being 'hands on'. Didn't want to tinker. Wouldn't go outside. I wasn't even inspired by the thoughtful prompts or useful tools which had been shared. I was just too lazy.

Was it because this is the first week of my summer break? Was it because the weather in Tokyo is becoming hotter and muggier? Am I naturally lazy?

From an evolutionary perspective, isn't being lazy very important? Wasted energy and effort don't support survival, and nobody likes a busybody out on the Serengeti. Lions are lazy, sleeping most of their lives, and bears hibernate for a few months every year! Bears and lions are awesome, so why is laziness such a taboo?!

As I wallowed in my laziness, it dawned on me that I could make a map to help solve my problem, both to understand my laziness and finish my assignment, and viola!, my Laziness Map.

Click to view in google drive.

Metateaching: Teachers as anthropologists and designers.

While reading Gerhard Fischer's Understanding, Fostering, and Supporting Cultures of Participation, I was transported back in time to my semester abroad in Nepal in 1996 when I was immersed in a foreign culture for the first time and inundated with fifteen units of Anthropology and Cultural Geography classes. In the shadow of Mt Nilgiri, we often debated individualism versus collectivism or the importance of the self versus the importance of the group.

Every discussion reached a similar conclusion, surprisingly quickly considering the effects of altitude on alcohol tolerance: A person both supports and is supported by a community.