Exhibition rubrics & Global Issues Expo

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Elements of the PYP Exhibition

This week, my class of fifth and sixth graders began the culmination of their IB Primary Years journey, the Exhibition. A self-directed and collaborative project, it is my favorite part of the year and a deeply enjoyable challenge to facilitate.

Before setting out, I organized a meeting with all Exhibition stakeholders including students, parents, teachers, and administrators. We discussed everyone's ideas, questions, and concerns in order to draft our Essential Agreements.

Components

The Exhibition Guidelines provide clear expectations, which I have synthesized for the students to provide support for their projects. One helpful practice I have chosen is to clarify five required components of the project. Specifically, every student must choose a global issue, deliver a persuasive speech, write an expository essay, create a work of art, and engage in community action. Among our first activities was introducing the organizer below.

In this way, each student has a clear map of expectations, yet is empowered to pursue their project along their own path.

LX Design

Two intersecting areas of study which have captivated my interest this year, Design Thinking and Project Management, have significant promise as I consider how to apply new principles to planning a year of learning in my Grade 5/6 classroom.

The two disciplines are strongly intertwined and have profound implications when applied to designing learning experiences. This post seeks to define LX Design as an approach to classroom planning and as a framework for ongoing iteration and reflection.

Design Thinking

Completing the Macromedia University Design Thinking MOOC introduced me to the discipline of User Experience Design, or UX Design. When thinking in terms of user experience, a designer considers all human elements and possibilities related to a product or service, not only the material and economic.

For example, when designing a machine to make coffee, one must consider not only the cost and suitability of the materials used, but also the likely moods of users, often early in the morning, while using the coffee machine.

A common theme in Design Thinking is to understand people's emotional, social, psychological, and spiritual needs when designing products, services, and experiences. In the case of education, we design learning experiences, hence the term 'LX Design'.

Meanings of use

Klaus Krippendorff's lecture, The Key Concepts of The Semantic Turn, and in particular his explanations of 'meanings of use', challenged and transformed my thinking about learning. I recreated the graphic below to represent what I consider an essential model for educators. It is the foundation for my approach to LX Design.

Exhibition: PBL To The Max!

Exhibition

This year, my sixth grade class prepared and presented our school's first Exhibition. As an International Baccalaureate Primary Years Program candidate school, it was an opportunity for me to research project-based learning, put into practice the guidelines established by the IB, and for our students to experience a culminating project to conclude their elementary school lives.

DLMOOC

The timing of the Deeper Learning MOOC, a massive open online course dedicated in large part to Project Based Learning, could not have been better. A host of organizations were introduced and resources shared and discussed, as well as models and frameworks that I could use to inform and enrich my role as a facilitator and coach.

During the Week 9 Participants Panel, moderator Rob Riordan remarked to me, 'If you want to get engaged in deeper learning, a good way to start is to schedule an exhibition.'

His words reminded me of a quote by the prolific composer Duke Ellington: 'I don't need time. What I need is a deadline.'

Visual Literacy Achievements Unlocked!

My final projects for the Visual Literacy COETAIL course are a slide presentation to inform my school community about our first PYP Exhibition and a video to inspire my Grade 6 students as they prepare their Exhibition, a self-directed and collaborative research and service action project.

Inform

As detailed in the post, Exhibition pre-Zen-tation, I struggled to transform my text-heavy, visually dry slides into a more engaging and thought provoking accompaniment to my speech.

The process was mostly subtractive. I deleted nearly all of the text and replaced it with carefully selected Creative Commons licensed images.

One of my most important lessons from this course has been the importance of audience. With that in mind, I shared the second draft of my slides and received very insightful comments, which led to the final version.

Introduction to the Exhibition

PYP Exhibition: A Rite of Passage

Several weeks ago, I began an inquiry into visual literacy. Feeling that visual communication is My Greatest Weakness, it's been an exciting challenge to spill this can of worms and start stomping. It has been easy to find opportunities to practice and apply new skills and understandings in the classroom.

Purpose

My students have begun preparing their PYP Exhibition. It's our first in every sense: as individuals, as a class, and as a school. I have researched extensively about elementary school Exhibitions around the world and have been trying to approach the process from a design perspective.

Metateaching

The essence of metateaching is knowing students well and designing an environment in which their learning can thrive.

For Exhibition, that environment consists primarily of independence, yet it is important to introduce the project in a way that helps inform and inspire the process.

When I was preparing the presentation I would deliver to the school community about Exhibition, the Exhibition pre-Zen-tation, I intended to provide information about what we should all expect during the coming several weeks.

I blogged about the meeting in the post, Exhibition Week 0. It was successful, but there was something missing. From the perspective of visual literacy and storytelling, I realized that my efforts could accomplish much more if I aimed to persuade rather than inform, or, to use Seth Godin's terminology, 'persuade' rather than 'convince'.

The presentation and slides are effective at delivering information and provoking thought, 'convincing', but they wouldn't inspire anyone to join the adventure. They don't 'persuade'. They lack emotion.

What I needed was a video.

My own inspiration

To inspire my video, I pondered the Exhibition. The objective is for students to demonstrate mastery of the IBO Primary Years Program through self-directed and collaborative inquiry. It occurred me that it closely resembles a traditional rite of passage, a ritual marking the transition from one state or status to another.

In this case, the students are moving from elementary school to secondary school. They are presented with a challenging task and provided limited assistance and expected to use what they know to organize and take action. They are intended to cause cognitive dissonance, the resolution of which is both the process and product of the experience.

This led to the conceptual framework for the video. It would start with an introduction to rites of passage, then invite the students to engage in the inquiry process through video footage of other schools' exhibitions.

I do everything the hard way

At that point, things became ugly. Or interesting, depending on your perspective. I was trying to learn several different technologies, as well as visual literacy concepts and skills, all at the same time.

First there was searching for Creative Commons licensed images and video to remix. Next, learning how to use iMovie to organize and edit them, as well as adding the text. Adding text involved searching for an interesting font, a process in which I became totally lost for most of an evening. Finally, I hacked together a scratch music track with audio from one of my class' collective improvisations for keyboard percussion. Unfortunately or fortunately, I'm really not sure, technological misunderstanding prevented the audio from being included in the uploaded YouTube video.

Without further ado

I decided to share this version of the video because part of my personal inquiry is to be more collaborative. I have always had a very thin skin when it comes to critique and criticism, something I am working to improve. 

Please view my video and tell me what you think!

EDIT 19 March 2014 - View the final video in the post, Visual Literacy Achievements Unlocked!.

Exhibition pre-Zen-tation

My Grade 6 class is currently embarking upon their PYP Exhibition. It is the first event of its kind at my school, and one of my responsibilities is to make a presentation for the parents and school community about it.

The fact is, the Exhibition is a gargantuan task. The event itself represents the culmination of all learning and growth in a child's life to this point in time. Also, it is not an 'assignment', but a framework or set of guidelines within which students pursue an inquiry for several weeks. It has structure and should occur at a particular time, but the nature of the inquiry and how it is expressed is up to the students.

To help myself articulate the goals of our Exhibition, I actually started creating this presentation last summer. I suppose I should call it a pre-Zen-tation, because I was woefully unaware of design principles like those detailed by Garr Reynolds at Presentation Zen.

The pre-Zen-tation:



What you see here was not finished. I simply saved a 'before' copy before beginning to edit according to my new insights into presentation design and visual literacy.

PYP Exhibition Theme Synthesis

In the New Year, my sixth grade class will undertake our school's inaugural PYP Exhibition. Here's the description of the event from the International Baccalaureate Organization website:

"Students who are in their final year of the programme are expected to carry out an extended, collaborative inquiry project, known as the exhibition, under the guidance of their teachers.

The exhibition represents a significant event in the life of both the school and student, synthesizing the essential elements of the programme and sharing them with the whole school community. It is an opportunity for students to exhibit the attributes of the Learner profile that have been developing throughout their engagement with the programme. It is a culminating experience marking the transition from PYP to further steps in education.

Schools are given considerable flexibility in their choice of real-life issues or problems to be explored or investigated in the exhibition."

In the past years, I have visited several Exhibitions in Tokyo and explored the online presentations of dozens more. There are as many unique approaches as there are people participating! Designing an environment in which the exhibitioners will thrive is a grand and fascinating challenge and an ideal example of metateaching.

One aspect all examples I have viewed share in common is that they fall under one of the IB PYP Transdisciplinary Themes. However, in the Exhibition Guidelines, it states that one of the essential features should be to "synthesize aspects of all six transdisciplinary themes".

"synthesize aspects of all six transdisciplinary themes"

I thought of one way to attempt this by way of inspiration from refrigerator poetry magnets. I simply printed the key terms from the six transdisciplinary themes, laminated and cut them out, attached magnets and arrayed them on a corner of our whiteboard. My class and I had a brief discussion of the themes and the goal to draw items from them of interest to us and rearrange them to create our own theme description. From that, we can create a title for our theme which can serve as a title for our Exhibition.

They began by playing, which is exactly what I had hoped for. The point is to play with the words to begin to explore our ideas. As our ideas become more organized, so should the words. I am extremely excited to begin our Exhibition inquiries, and have been planning activities all year as practice and preparation. I view it as an archetypal Independent Inquiry, and the first formal test of many of the principles of inquiry we have been exploring.